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An Encounter (Live in Zurich, 2016)

by Estas Tonne feat. Yonatan Bar Rashi

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caroleleanor
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caroleleanor This track captures the changes of energy released through Estas Tonne's intentions and Yonatan Bar Rashi's connection to those vibrations. Always moving forward without reflections to the past it becomes a dance in the moment. One of my favourites 🙌💟
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about

Recorded live, the soundtrack is a co-creation with dear Yonatan Bar Rashi on the percussions from 2016 “Bridging the Worlds" Autumn tour concert in Zurich.
As spontaneous as the flow of sound are life’s encounters. If we connect with one another from the space of the heart, such meetings become deeply enriching, even if they last only for a moment. The single is an invitation to open to the sacredness of the heart and true encounters through music.
Heartfelt thanks to brother Yonatan Bar Rashi for a great sound journey!

Official music video:
www.youtube.com/watch?v=ZLbNHyiW5vk

credits

released May 14, 2021
Music: Life (via Estas Tonne)
Guitar: Estas Tonne
www.estastonne.com
Yonatan Bar Rashi (percusions)
www.facebook.com/yonatan.barrashi

Sound: Recording, Mix, Mastering: Leon Galperin (SoundPro Studios)
www.soundprostudios.com/en

Visuals: Design, Film, Editing: Geri Dagys (Geri Dagys Photography)
www.abu2.com

Cover picture: Giovanni Baroni (www.mysticalpics.ch)

www.estastonne.com
Produced: ETmusic

All this music is intended for personal experience and sharing!
If you wish to incorporate it for commercial use, please send an email to info@estastonne.com describing what is it intended for!

#estastonne #estastonnemusic #anencounter #liveinzurich #yonatanbarrashi

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Estas Tonne Germany

As a modern-day Troubadour Estas Tonne travels countless places and finds himself in several cultural references without identifying himself with a single nation or country, rather with the cultural richness of the world. His music is therefore a reflection of a classical structure, technique of Flamenco, roots of Gypsy, characteristics of Latin and Electronic Soundscapes. ... more

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